"Iberia, T. 105, Book 2: III. Triana" by Isaac Albéniz, Peter Donohoe was released on May 17, 2024. With this song being about 5 minutes long, at 5:13, "Iberia, T. 105, Book 2: III. Triana" by Isaac Albéniz, Peter Donohoe is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Peter Donohoe Plays Granados & Albéniz". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Iberia, T. 105, Book 2: III. Triana is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Iberia, T. 105, Book 2: III. Triana by Isaac Albéniz, Peter Donohoe having a テンポ of 66 with a half-time of 33 テンポ and a double-time of 132 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 27 in E Minor, Op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen | Ludwig van Beethoven, Steven Osborne | E Major | 0 | 12B | 76 BPM | ||
Ravel : Pavane Pour Une Infante Defunte 라벨 : 죽은 왕녀를 위한 파반느 | Ensemble DITTO | G Major | 0 | 9B | 114 BPM | ||
Variations on a Polish Theme, Op. 10: No. 9 Piu mosso (Allegro) | Karol Szymanowski, Martin Roscoe | B Major | 1 | 1B | 141 BPM | ||
Malagueña | Fritz Kreisler, Isaac Albéniz, Laurent Korcia, Haruko Ueda | E Major | 2 | 12B | 120 BPM | ||
Schulz-Evler: Arabesken über "An der schönen blauen Donau" (After Johann Strauss' Op. 314) | Adolf Schulz-Evler, Aurélien Pontier | F Minor | 0 | 4A | 72 BPM | ||
Rêverie (Arr. M. Balakirev for Piano) | Platon Zapolsky, Nicholas Walker | G Major | 0 | 9B | 91 BPM | ||
24 Preludes, Op. 28: No. 23 in F Major. Moderato | Frédéric Chopin, Garrick Ohlsson | C Major | 0 | 8B | 67 BPM | ||
Variations on a Nursery Song, Op. 25: Var. 3. L'istesso tempo | Ernst von Dohnányi, Isata Kanneh-Mason, Royal Liverpool Philharmonic Orchestra, Domingo Hindoyan | C Major | 1 | 8B | 130 BPM | ||
Suite of Preludes: No. 7, Furioso | Kazimierz Serocki, Miyako Arishima | D♭ Minor | 0 | 12A | 135 BPM | ||
夢 | Claude Debussy, Mari Kumamoto | C Major | 2 | 8B | 72 BPM |