Charles-Auguste de Bériot, Bella Hristova made "12 Scenes or Caprices, Op. 109: No. 7. Le Caprice" available on August 25, 2009. With 12 Scenes or Caprices, Op. 109: No. 7. Le Caprice being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 22 in Beriot: Violin Solo Music, Vol. 1: 12 Scenes - 9 Studies - Prelude or Improvisation by Charles-Auguste de Bériot, Bella Hristova. In terms of popularity, 12 Scenes or Caprices, Op. 109: No. 7. Le Caprice is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 12 Scenes or Caprices, Op. 109: No. 7. Le Caprice by Charles-Auguste de Bériot, Bella Hristova is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes-tableaux, Op. 33: No. 8 in G Minor. Moderato | Sergei Rachmaninoff, Nikolai Lugansky | B♭ Minor | 3 | 3A | 119 BPM | ||
Balakirev : Islamey | Mily Balakirev, Boris Berezovsky | D Major | 2 | 10B | 73 BPM | ||
Brahms: Violin Sonata No. 3 in D Minor, Op. 108: IV. Presto agitato | Johannes Brahms, Renaud Capuçon, Nicholas Angelich | G Major | 0 | 9B | 73 BPM | ||
Cello Concerto in D Minor: 2. Intermezzo: Andantino con moto - Allegro presto | Édouard Lalo, Pierre Fournier, Orchestre Lamoureux, Jean Martinon | G Major | 1 | 9B | 85 BPM | ||
Walton: Viola Concerto: II. Vivo, e molto preciso | William Walton, David Aaron Carpenter, Vladimir Jurowski, London Philharmonic Orchestra | A Minor | 3 | 8A | 134 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: III. Vivace non troppo | Johannes Brahms, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | A Minor | 2 | 8A | 82 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Cello Sonata in D Minor, Op. 40: III. Largo | Dmitri Shostakovich, Dmitry Yablonsky, Ekaterina Saranceva | B♭ Minor | 4 | 3A | 0 BPM | ||
Tartini / Arr. Kreisler: Violin Sonata in G Minor "Devil's Trill": II. Allegro. Tempo giusto della scuole tartinista | Giuseppe Tartini, David Oistrakh, Vladimir Yampolsky | B♭ Major | 1 | 6B | 82 BPM |