Giuseppe Tartini, David Oistrakh, Vladimir Yampolsky made "Tartini / Arr. Kreisler: Violin Sonata in G Minor "Devil's Trill": II. Allegro. Tempo giusto della scuole tartinista" available on January 1, 1957. The duration of Tartini / Arr. Kreisler: Violin Sonata in G Minor "Devil's Trill": II. Allegro. Tempo giusto della scuole tartinista is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Tartini / Arr. Kreisler: Violin Sonata in G Minor "Devil's Trill": II. Allegro. Tempo giusto della scuole tartinista's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 7 in the song's album "Tartini: Violin Sonata "Devil's Trill" - Mozart: Violin Sonata, K. 454". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Tartini / Arr. Kreisler: Violin Sonata in G Minor "Devil's Trill": II. Allegro. Tempo giusto della scuole tartinista is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Tartini / Arr. Kreisler: Violin Sonata in G Minor "Devil's Trill": II. Allegro. Tempo giusto della scuole tartinista by Giuseppe Tartini, David Oistrakh, Vladimir Yampolsky having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allegro appassionato for Cello and Orchestra, Op. 43 | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | E Minor | 1 | 9A | 67 BPM | ||
Violin Concerto No. 5 in A Major, K. 219 "Turkish": 1. Allegro aperto - Cadenza: Itzhak Perlman | Wolfgang Amadeus Mozart, Itzhak Perlman, Wiener Philharmoniker, James Levine | A Major | 2 | 11B | 122 BPM | ||
Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio | Ludwig van Beethoven, George Szell, Cleveland Orchestra | A Major | 4 | 11B | 139 BPM | ||
Violin Concerto No. 4 in D Major, K. 218: III. Rondo. Andante grazioso | Wolfgang Amadeus Mozart, David Oistrakh, Eugene Ormandy, Philadelphia Orchestra | A Major | 1 | 11B | 125 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Sonata For Violin And Piano In A: 4. Allegretto poco mosso | César Franck, Itzhak Perlman, Vladimir Ashkenazy | A Major | 2 | 11B | 78 BPM | ||
Suite for 2 Violins & Piano, Op. 71: I. Allegro energico | Moritz Moszkowski, Nazrin Rashidova, Daniel Grimwood | E♭ Major | 2 | 5B | 94 BPM | ||
Glazunov: Elegia, Op. 44 | Alexander Glazunov, Gérard Caussé | E♭ Major | 1 | 5B | 89 BPM | ||
Suite for Cello and Orchestra, Op. 16: III. Gavotte (allegro non troppo) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Major | 0 | 10B | 83 BPM | ||
Bach, J.S.: Solo Violin Sonata No. 1 in G Minor, BWV 1001: IV. Presto | Johann Sebastian Bach, Itzhak Perlman | G Minor | 3 | 6A | 94 BPM |