Robert Schumann, Marianna Shirinyan, Torleif Thedéen made "Kinderszenen, Op. 15 (transcribed for cello and piano by Thedéen & Shirinyan): No. 7 Träumerei" available on May 31, 2024. The duration of Kinderszenen, Op. 15 (transcribed for cello and piano by Thedéen & Shirinyan): No. 7 Träumerei is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Kinderszenen, Op. 15 (transcribed for cello and piano by Thedéen & Shirinyan): No. 7 Träumerei's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 14 in An die Musik by Marianna Shirinyan, Torleif Thedéen. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. Based on our statistics, Kinderszenen, Op. 15 (transcribed for cello and piano by Thedéen & Shirinyan): No. 7 Träumerei's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Kinderszenen, Op. 15 (transcribed for cello and piano by Thedéen & Shirinyan): No. 7 Träumerei by Robert Schumann, Marianna Shirinyan, Torleif Thedéen is Allegro (fast, quick, and bright), since this song has a tempo of 148 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 1 in A Minor, Op. 105: I. Mit Leidenschaftlichem Ausdruck | Robert Schumann, Kolja Blacher, Vassily Lobanov | C Major | 2 | 8B | 78 BPM | ||
Five Melodies, Op. 35b: II. Lento, ma non Troppo | Sergei Prokofiev, Stefan Hempel, Daniel Seroussi | D Major | 1 | 10B | 67 BPM | ||
中国の太鼓 | Fritz Kreisler, 古川展生, 安宅薫 | F Major | 3 | 7B | 150 BPM | ||
Schumann: Carnaval, Op. 9: No. 14, Reconnaissance | Robert Schumann, György Cziffra | A♭ Major | 3 | 4B | 135 BPM | ||
Pastorale, Menuet triste et Nocturne: Pastorale | George Enescu, Ralph Evans, Gisele Witkowski, Fabio Witkowski | A Major | 1 | 11B | 153 BPM | ||
Lied ohne Worte, Op. 85: No. 6 in B-Flat Major, MWV U 155 | Felix Mendelssohn, Peter Donohoe | E Major | 0 | 12B | 72 BPM | ||
Albumblätter, Op. 39: I. Moderato | Adrien La Marca, Danae Dörken | C Major | 1 | 8B | 112 BPM | ||
French Quadrilogy: No. 4, Toccata | Aivars Kalējs, Trio NYX | B♭ Major | 1 | 6B | 78 BPM | ||
Paris In April | Winfred Jeremiah | B♭ Major | 1 | 6B | 91 BPM | ||
Cello Concerto in A Minor, Op. 129: I. Nicht zu schnell | Robert Schumann, Sung-Won Yang, London Symphony Orchestra, Hans Graf | A Minor | 1 | 8A | 138 BPM |