Robert Schumann, Kolja Blacher, Vassily Lobanov's 'Violin Sonata No. 1 in A Minor, Op. 105: I. Mit Leidenschaftlichem Ausdruck' came out on June 7, 2011. Since Violin Sonata No. 1 in A Minor, Op. 105: I. Mit Leidenschaftlichem Ausdruck is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Schumann: Violin Concerto". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Violin Sonata No. 1 in A Minor, Op. 105: I. Mit Leidenschaftlichem Ausdruck is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Sonata No. 1 in A Minor, Op. 105: I. Mit Leidenschaftlichem Ausdruck by Robert Schumann, Kolja Blacher, Vassily Lobanov having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriccio-valse for Violin and Piano in E Major, Op. 7 | Henryk Wieniawski, Jascha Heifetz | E Major | 1 | 12B | 135 BPM | ||
Beethoven: Sonata for Piano and Violin No. 1 in D Major, Op. 12, No. 1: II.Tema con variazioni (Andante con moto) - Variation I | Ludwig van Beethoven, Midori, Jean-Yves Thibaudet | B♭ Major | 1 | 6B | 112 BPM | ||
Silent Dreams | Antonín Dvořák, Petr Nouzovský, Czech Philharmonic Chamber Orchestra, Stanislav Vavřínek | C Major | 0 | 8B | 70 BPM | ||
The Arts and the Hours | Jean-Philippe Rameau, Víkingur Ólafsson | D♭ Major | 0 | 3B | 136 BPM | ||
Suite populaire espagnole (Arr. for Cello & Piano): II. Nana | Manuel de Falla, Duo Arnicans | A Minor | 0 | 8A | 95 BPM | ||
Deux arabesques, L. 74 (Arr. For Cello And Piano By Olivier Hébert-Bouchard): Arabesque No. 1 In E Minor: Andantino con moto | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A Major | 2 | 11B | 99 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Hee-young Lim, Chuhui Liang | G Major | 1 | 9B | 171 BPM | ||
Mendelssohns Lieder, S. 547: I. Auf Flügeln des Gesanges (After Op. 34/2) | Franz Liszt, Isata Kanneh-Mason | D♭ Major | 2 | 3B | 74 BPM | ||
意地っ張り・強気 | 大島ミチル | A Major | 4 | 11B | 77 BPM | ||
6 Nocturnes, Op. 186: Nocturne No. 6: Allegro moderato | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | D Minor | 0 | 7A | 126 BPM |