Jean-Philippe Rameau, Víkingur Ólafsson's 'The Arts and the Hours' came out on March 6, 2020. With this song being about 5 minutes long, at 4:45, "The Arts and the Hours" by Jean-Philippe Rameau, Víkingur Ólafsson is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Rameau, Ólafsson: The Arts and the Hours only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. Based on our statistics, The Arts and the Hours's popularity is fairly popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Arts and the Hours by Jean-Philippe Rameau, Víkingur Ólafsson having a テンポ of 136 with a half-time of 68 テンポ and a double-time of 272 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Sleeping Lotus | Joep Beving | G Minor | 0 | 6A | 69 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Études: No. 18 | Philip Glass, Víkingur Ólafsson | G Minor | 0 | 6A | 87 BPM | ||
Adagio in B Minor, K. 540 | Wolfgang Amadeus Mozart, Víkingur Ólafsson | A♭ Major | 0 | 4B | 69 BPM | ||
Carnival of the Animals: The Swan | Camille Saint-Saëns, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Sheku Kanneh-Mason | G Major | 1 | 9B | 65 BPM | ||
Passage | Joep Beving | G Major | 0 | 9B | 60 BPM | ||
Nocturne | Alexander Borodin, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Minor | 1 | 7A | 69 BPM | ||
Gottes Zeit ist die allerbeste Zeit, BWV 106: I. Sonatina (Transcr. for Piano Four Hands by György Kurtàg) | Víkingur Ólafsson, Halla Oddný Magnúsdóttir | E♭ Major | 1 | 5B | 84 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM |