"Capriccio-valse for Violin and Piano in E Major, Op. 7" by Henryk Wieniawski, Jascha Heifetz was released on 1967. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Saint-Saëns: Sonata No. 1, Op. 75, in D Minor, Sibelius, Wieniawski, Rachmaninoff, de Falla". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Capriccio-valse for Violin and Piano in E Major, Op. 7's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Capriccio-valse for Violin and Piano in E Major, Op. 7 by Henryk Wieniawski, Jascha Heifetz having a テンポ of 135 with a half-time of 68 テンポ and a double-time of 270 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: III. Allegro molto | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 2 | 8B | 81 BPM | ||
Liebesfreud | Fritz Kreisler, Joshua Bell, Paul Coker | F Major | 1 | 7B | 99 BPM | ||
Scherzo tarantelle, Op. 16 | Henryk Wieniawski, Sueye Park, Love Derwinger | D Major | 2 | 10B | 101 BPM | ||
Sonata for Solo Violin No. 3 in D Minor, Op. 27 No. 3 "A Georges Enesco": Ballade (Lento molto sostenuto, molto moderato quasi lento, allegro in tempo giusto e con bravura) | Eugène Ysaÿe, Tedi Papavrami | A Minor | 2 | 8A | 127 BPM | ||
Paradis: Sicilienne | Maria Theresia von Paradis, Samuel Dushkin, Itzhak Perlman | E♭ Major | 1 | 5B | 88 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Concerto for Violin and Orchestra no.2 in D minor op.22: 3. Allegro con fuoco-Allegro moderato (à la Zingara) | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | D Major | 2 | 10B | 96 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM |