Mak Ka-Lok, Alexandra Kouznetsova, Nison Kravets, Eremey Tsukerman, Lilia Lukianenko, Vladimir Rora, Alexander Konsistorum, Anatoly Lukiyanenko, Andrei Stepine, Hung Chi-Mei's 'Marionettes, No. 2: La Poupée valsante (Arr. Kreisler)' came out on July 25, 2007. The duration of Marionettes, No. 2: La Poupée valsante (Arr. Kreisler) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Marionettes, No. 2: La Poupée valsante (Arr. Kreisler)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 奇美名琴名曲1, so we believe that "Marionettes, No. 2: La Poupée valsante (Arr. Kreisler)" is a single. In terms of popularity, Marionettes, No. 2: La Poupée valsante (Arr. Kreisler) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Marionettes, No. 2: La Poupée valsante (Arr. Kreisler) by Mak Ka-Lok, Alexandra Kouznetsova, Nison Kravets, Eremey Tsukerman, Lilia Lukianenko, Vladimir Rora, Alexander Konsistorum, Anatoly Lukiyanenko, Andrei Stepine, Hung Chi-Mei is Andante (at a walking pace), since this song has a tempo of 91 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in G Minor, RV 315 "L'estate": III. Presto | Antonio Vivaldi, Alessandro Quarta, Concerto Mediterraneo, Gianna Fratta | A Minor | 2 | 8A | 135 BPM | ||
愛情物語 - 愛情物語 より | Yuka | E♭ Major | 1 | 5B | 95 BPM | ||
Contemplation (after J. Brahms' 5 Lieder, Op. 105) | Jascha Heifetz, Elissa Lee Koljonen, Robert Koenig | D♭ Major | 1 | 3B | 93 BPM | ||
Guitar Quartet No. 6 in D Minor, Op. 5 No. 3, MS 33: I. Allegro | Niccolò Paganini, Paganini Ensemble Vienna | C Major | 3 | 8B | 144 BPM | ||
The Carnival of the Animals, R. 125: XIII. The Swan | Mak Ka-Lok, Voronezh State Symphony Orchestra | C Major | 1 | 8B | 158 BPM | ||
L’amour c’est comme un jour (Arr. for Cello and Orchestra by Martin Ulikhanyan) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | ||
Rimsky-Korsakov: Song of India | Su Shien-Ta, Yu Tsui-Ling | C Minor | 1 | 5A | 78 BPM | ||
Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" | Mak Ka-Lok, Voronezh State Symphony Orchestra | A Minor | 1 | 8A | 88 BPM | ||
La Traviata, Act I: Un Dì Felice, Eterea | Elvira Khokhlova, Michail Gubski, Mak Ka-Lok, Voronezh State Symphony Orchestra | E Minor | 3 | 9A | 164 BPM | ||
ethouxima | bigbod | G Major | 4 | 9B | 95 BPM |