Arthur Sullivan, Peggy Ann Jones, Lyndsie Holland, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash's '17. Oh fool, that flee-est My hallow'd joys!' came out on January 1, 1973. The duration of 17. Oh fool, that flee-est My hallow'd joys! is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. 17. Oh fool, that flee-est My hallow'd joys!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Royston Nash's "Gilbert & Sullivan: The Mikado" album is number 18 out of 37. The popularity of 17. Oh fool, that flee-est My hallow'd joys! is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 17. Oh fool, that flee-est My hallow'd joys! by Arthur Sullivan, Peggy Ann Jones, Lyndsie Holland, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash to be Vivace (lively and fast) because the track has a tempo of 169 テンポ, a half-time of 84テンポ, and a double-time of 338 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot / Act 1: Gira la cote! (Coro, Calaf, Liù) | Giacomo Puccini, Barbara Hendricks, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | B Minor | 4 | 10A | 137 BPM | ||
Les Contes d'Hoffmann / Act 1: "Glou, glou, glou! Je suis la bière" | Jacques Offenbach, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | F Major | 1 | 7B | 114 BPM | ||
The Magic Flute, Act I: These words of wisdom reassure me | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Barry Banks | E♭ Major | 2 | 5B | 131 BPM | ||
Carmina Burana / 2. In Taberna: "Olim lacus colueram" | Carl Orff, Louis Devos, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | G Major | 1 | 9B | 172 BPM | ||
Carmina Burana / 2. In Taberna: "In taberna quando sumus" | Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | A Major | 4 | 11B | 142 BPM | ||
La Forza del Destino (1997 - Remaster), Act II: Madre, pietosa Vergine | Giuseppe Verdi, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | E♭ Major | 1 | 5B | 81 BPM | ||
24. Away, away, my heart's on fire | Arthur Sullivan, Royal Philharmonic Orchestra, Isidore Godfrey, Christene Palmer, Philip Potter, Donald Adams | G Major | 3 | 9B | 85 BPM | ||
Barber - Four songs, op. 13: Sure on this shining night | Samuel Barber, Barbara Bonney, Malcolm Martineau | G Minor | 1 | 6A | 89 BPM | ||
Peter Grimes, Op.33 / Prologue: "Peter Grimes!" | Benjamin Britten, David Kelly, Owen Brannigan, Sir Peter Pears, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 104 BPM | ||
26. From ev'ry kind of man Obedience I expect | Arthur Sullivan, Lyndsie Holland, John Ayldon, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | C Major | 2 | 8B | 80 BPM |