"Barber - Four songs, op. 13: Sure on this shining night" by Samuel Barber, Barbara Bonney, Malcolm Martineau was released on June 1, 2005. The duration of Barber - Four songs, op. 13: Sure on this shining night is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Barber - Four songs, op. 13: Sure on this shining night's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Barbara Bonney's "My Name Is Barbara" album is number 27 out of 28. Barber - Four songs, op. 13: Sure on this shining night is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Barber - Four songs, op. 13: Sure on this shining night by Samuel Barber, Barbara Bonney, Malcolm Martineau to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: 2 Mélodies, Op. 1: No. 1, Le papillon et la fleur | Gabriel Fauré, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
Nuit d'étoiles | Claude Debussy, Susan Manoff, Sandrine Piau | G Minor | 1 | 6A | 126 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset | G Major | 1 | 9B | 75 BPM | ||
Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora) | Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, London Symphony Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
Let Us Garlands Bring, Op. 18: Come Away, Come Away, Death | Gerald Finzi, Bryn Terfel, Malcolm Martineau | E Minor | 0 | 9A | 90 BPM | ||
Semele, HWV 58 / Act 2: Where'er You Walk | George Frideric Handel, John Aler, English Chamber Orchestra, John Nelson | B♭ Major | 1 | 6B | 80 BPM | ||
The Year's At The Spring | Amy Beach, Deborah Voigt | D♭ Major | 2 | 3B | 130 BPM | ||
Le colibri Op.2 N°7 | Ernest Chausson, Susan Manoff, Sandrine Piau | D♭ Major | 0 | 3B | 130 BPM | ||
Sento nel core | Alessandro Scarlatti, Elisabetta Pallucchi, Filippo Farinelli | D Minor | 0 | 7A | 87 BPM | ||
A Chloris | Reynaldo Hahn, Véronique Gens, Susan Manoff | E Major | 1 | 12B | 133 BPM |