"Le colibri Op.2 N°7" by Ernest Chausson, Susan Manoff, Sandrine Piau was released on November 6, 2007. The duration of Le colibri Op.2 N°7 is about 3 minutes long, at 3:15. Based on our data, "Le colibri Op.2 N°7" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in Évocation, so we believe that "Le colibri Op.2 N°7" is a single. Based on our statistics, Le colibri Op.2 N°7's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le colibri Op.2 N°7 by Ernest Chausson, Susan Manoff, Sandrine Piau is Allegro (fast, quick, and bright), since this song has a tempo of 130 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deux poèmes, Op. 34: I. La chanson bien douce | Ernest Chausson, Véronique Gens, Susan Manoff | F Minor | 1 | 4A | 81 BPM | ||
Etudes latines: Phyllis | Reynaldo Hahn, Véronique Gens, Susan Manoff | E♭ Major | 1 | 5B | 104 BPM | ||
La fille du régiment: Il faut partir | Gaetano Donizetti, Julie Fuchs, Orchestre national d'île-de-France, Enrique Mazzola | F Minor | 1 | 4A | 70 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
Sept chansons pour Gladys Op.151: II. Tu Croyais le Tenir | Charles Koechlin, Susan Manoff, Sandrine Piau | B Minor | 0 | 10A | 108 BPM | ||
Wie Melodien zieht es mir, Op. 105, No. 1 | Johannes Brahms, Jessye Norman, Daniel Barenboim | A♭ Major | 0 | 4B | 102 BPM | ||
L'incoronazione di Poppea, SV 308 / Act III: "Pur ti miro" | Claudio Monteverdi, Sylvia McNair, Dana Hanchard, English Baroque Soloists, John Eliot Gardiner | G Major | 0 | 9B | 125 BPM | ||
Wachet auf, ruft uns die Stimme BWV 140: Chorale: Zion hört die Wächter singen | Johann Sebastian Bach, Ton Koopman, The Amsterdam Baroque Orchestra & Chior, Sandrine Piau, Johannette Zomer, Caroline Stam | A♭ Major | 1 | 4B | 172 BPM | ||
Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | ||
Salve Regina in G Major: III. Ad te suspiramus | Nicola Porpora, Sandrine Piau, Les Talens Lyriques, Christophe Rousset | D♭ Minor | 0 | 12A | 109 BPM |