Benjamin Britten, David Kelly, Owen Brannigan, Sir Peter Pears, Orchestra of the Royal Opera House, Covent Garden's 'Peter Grimes, Op.33 / Prologue: "Peter Grimes!"' came out on January 1, 1959. With Peter Grimes, Op.33 / Prologue: "Peter Grimes!" being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 45 in Britten: Peter Grimes by Benjamin Britten, Sir Peter Pears, Claire Watson, Orchestra of the Royal Opera House, Covent Garden. In terms of popularity, Peter Grimes, Op.33 / Prologue: "Peter Grimes!" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Peter Grimes, Op.33 / Prologue: "Peter Grimes!" by Benjamin Britten, David Kelly, Owen Brannigan, Sir Peter Pears, Orchestra of the Royal Opera House, Covent Garden is Andante (at a walking pace), since this song has a tempo of 104 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Trovatore / Act 1: "All'erta! all'erta!" | Giuseppe Verdi, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | E Major | 1 | 12B | 80 BPM | ||
Sea Pictures, Op. 37: No. 5, The Swimmer | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | E♭ Major | 4 | 5B | 124 BPM | ||
The House of Life: Silent Noon | Ralph Vaughan Williams, Anthony Rolfe Johnson, Graham Johnson, Simon Keenlyside, Duke Quartet | G Major | 1 | 9B | 92 BPM | ||
Schoenberg: Gurre-Lieder, Melodram: "Seht die Sonne farbenfroh am Himmelssaum" (Chorus) | Arnold Schoenberg, Sir Simon Rattle, Berliner Philharmoniker, Karita Mattila, Thomas Moser, Anne Sofie von Otter, Thomas Quasthoff | F Major | 3 | 7B | 86 BPM | ||
Chapter 105 - Starclimber | Kenneth Oppel, David Kelly | F Minor | 3 | 4A | 123 BPM | ||
Das Rheingold, WWV 86A / Erste Szene: "Lugt, Schwestern! Die Weckerin lacht in den Grund" | Richard Wagner, Helen Donath, Edda Moser, Anna Reynolds, Zoltan Kelemen, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 59 BPM | ||
El Niño: In the Day of the Great Slaughter | John Adams, Kent Nagano, Deutsches Symphonie-Orchester Berlin | E♭ Minor | 5 | 2A | 78 BPM | ||
La Traviata / Act 3: "Ah, Violetta!" - "Voi? Signor?" | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | A Minor | 1 | 8A | 105 BPM | ||
The House of Life: II. Silent Noon | Ralph Vaughan Williams, Anthony Rolfe Johnson, David Willison | F♯ Major | 0 | 2B | 167 BPM | ||
Stabat Mater: 8. Inflammatus et accensus | Gioachino Rossini, Katia Ricciarelli, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende | D Major | 2 | 10B | 112 BPM |