Arthur Sullivan, Royal Philharmonic Orchestra, Isidore Godfrey, Christene Palmer, Philip Potter, Donald Adams made "24. Away, away, my heart's on fire" available on January 1, 1968. With 24. Away, away, my heart's on fire being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Isidore Godfrey's "Gilbert & Sullivan: The Pirates of Penzance" album is number 10 out of 40. 24. Away, away, my heart's on fire is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of 24. Away, away, my heart's on fire by Arthur Sullivan, Royal Philharmonic Orchestra, Isidore Godfrey, Christene Palmer, Philip Potter, Donald Adams to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen / Act 2: Quintette: "Nous avons en tête une affaire!" | Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, Heinz Zednik, Gino Quilico, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 72 BPM | ||
L'elisir d'amore / Act 1: "Una parola..chiedi all'aura" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 79 BPM | ||
The Magic Flute, Act I: Sir, I was disobedient | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Rebecca Evans, John Tomlinson | E♭ Major | 2 | 5B | 131 BPM | ||
Delibes: Lakmé, Act 2: "Lakmé, ton doux regard se voile" (Nilakantha) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Roger Soyer, Orchestre du Theatre National de IOpera-Comique | A♭ Major | 2 | 4B | 137 BPM | ||
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Pour séduire Alcmène..(Minerve/Choeur/Diane/Cupidon/Venus/Pluton) | Jacques Offenbach, Jean-Paul Fouchécourt/Patricia Petibon/Jennifer Smith/Véronique Gens/Virginie Pochon/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | G Major | 2 | 9B | 111 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "Vedro mentr'io sospiro" | Wolfgang Amadeus Mozart, Thomas Hampson, Metropolitan Opera Orchestra, James Levine | D Major | 2 | 10B | 87 BPM | ||
Carmen / Act 1: "Monsieur le brigadier?" / Duo:"Parle-moi de ma mère!" | Georges Bizet, Katia Ricciarelli, José Carreras, Jean Barney, Danièle Ajoret, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 81 BPM | ||
Rigoletto / Act 1: "Quel vecchio maledivami...Va, non ho niente" | Giuseppe Verdi, Sherrill Milnes, Martti Talvela, London Symphony Orchestra, Richard Bonynge | F Minor | 2 | 4A | 66 BPM | ||
Cendrillon: Prenez un maintien gracieux | Jules Massenet, Philharmonia Orchestra, Julius Rudel | G Major | 1 | 9B | 84 BPM | ||
Die Fledermaus / Act I: Dialog: Seid ihr verrückt geworden? | Johann Strauss II, Julia Varady, Hermann Prey, Bernd Weikl, Lucia Popp | F Major | 1 | 7B | 100 BPM |