Johann Strauss II, Julia Varady, Hermann Prey, Bernd Weikl, Lucia Popp's 'Die Fledermaus / Act I: Dialog: Seid ihr verrückt geworden?' came out on January 1, 1976. With Die Fledermaus / Act I: Dialog: Seid ihr verrückt geworden? being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 37 in the song's album "Strauss: Die Fledermaus". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. In terms of popularity, Die Fledermaus / Act I: Dialog: Seid ihr verrückt geworden? is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Die Fledermaus / Act I: Dialog: Seid ihr verrückt geworden? by Johann Strauss II, Julia Varady, Hermann Prey, Bernd Weikl, Lucia Popp having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Die Zauberflöte, K. 620, Act 2: "Alles fühlt der Liebe Freuden" (Monostatos) | Wolfgang Amadeus Mozart, Heinz Zednik/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Bayerischer Rundfunk, Sinfonie-Orchester Des Bayerischen Rundfunks | G Major | 2 | 9B | 144 BPM | ||
Il matrimonio segreto / Act 1: "Certo sarete stanco" - "Permettetemi dunque" | Domenico Cimarosa, Dietrich Fischer-Dieskau, Alberto Rinaldi, Ryland Davies, Arleen Auger, Julia Varady, Julia Hamari, English Chamber Orchestra, Daniel Barenboim | B♭ Major | 2 | 6B | 158 BPM | ||
Eine Nacht in Venedig · Operette in 3 Akten (Korngold-Arr.), Erster Akt: Nr. 2 - Auftrittslied: Frutti di mare (Annina) | Symphonieorchester Graunke, Rita Streich, Anneliese Rothenberger, Hermann Prey, Christian Oppelberg, Gisela Litz, Marjorie Heistermann, Hans-Günter Grimm, Christine Görner, Nicolai Gedda, Cesare Curzi, Bavarian Radio Chorus, Franz Allers | B♭ Major | 2 | 6B | 74 BPM | ||
Le nozze di Figaro, K. 492 / Act 4: "Tutto è tranquillo e placido" | Wolfgang Amadeus Mozart, Edith Mathis, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | E♭ Major | 2 | 5B | 153 BPM | ||
Johannes-Passion, BWV 245: No. 3, O große Lieb - No. 4, Auf daß das Wort erfüllet würde | Johann Sebastian Bach, Münchener Bach-Orchester, Münchener Bach-Chor, Ernst Haefliger, Hermann Prey, Karl Richter | D Major | 1 | 10B | 83 BPM | ||
La Bohème / Act 1: "Io resto" | Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 93 BPM | ||
Fidelio, Op. 72 / Act 1: "Gut Söhnchen, gut" | Ludwig van Beethoven, Gundula Janowitz, Lucia Popp, Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein | C Major | 2 | 8B | 125 BPM | ||
Carmen, Act III, No.20 Trio: Voyons que j'essaie à mon tour (Carmen) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 0 | 8B | 125 BPM | ||
Kein schöner Land in dieser Zeit | Hermann Prey, Studio-Orchester | A Major | 1 | 11B | 74 BPM | ||
Das Rheingold, WWV 86A / Scene 2: "Was sinnt nun Wotan so wild?" | Richard Wagner, Set Svanholm, Kirsten Flagstad, Eberhard Wächter, Waldemar Kmentt, Wiener Philharmoniker, Sir Georg Solti | E♭ Minor | 1 | 2A | 85 BPM |