"Rigoletto / Act 1: "Quel vecchio maledivami...Va, non ho niente"" by Giuseppe Verdi, Sherrill Milnes, Martti Talvela, London Symphony Orchestra, Richard Bonynge was released on January 1, 1971. With this song being about 5 minutes long, at 4:54, "Rigoletto / Act 1: "Quel vecchio maledivami...Va, non ho niente"" by Giuseppe Verdi, Sherrill Milnes, Martti Talvela, London Symphony Orchestra, Richard Bonynge is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi: Rigoletto by Giuseppe Verdi, Dame Joan Sutherland, Luciano Pavarotti, Sherrill Milnes, London Symphony Orchestra, Richard Bonynge. The song's track number on the album is #6 out of 29 tracks. Rigoletto / Act 1: "Quel vecchio maledivami...Va, non ho niente" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rigoletto / Act 1: "Quel vecchio maledivami...Va, non ho niente" by Giuseppe Verdi, Sherrill Milnes, Martti Talvela, London Symphony Orchestra, Richard Bonynge has a tempo of 66 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Rigoletto / Act 1: "Quel vecchio maledivami...Va, non ho niente" being at 66 テンポ, the half-time would be 33 テンポ with a double-time of 132 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Puritani / Act 1: Ah! per sempre io ti perdei | Vincenzo Bellini, Piero Cappuccilli, Renato Cazzaniga, London Symphony Orchestra, Richard Bonynge | G Major | 2 | 9B | 74 BPM | ||
La Cenerentola / Act 2: "Sia qualunque delle figlie" | Gioachino Rossini, Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado | A Major | 4 | 11B | 113 BPM | ||
Katya Kabanova, JW I/8, Act I Scene 1: "Přišel jsi sem lelky chytat?" | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Pavlo Hunka, Simon O'Neill | E♭ Major | 2 | 5B | 90 BPM | ||
Rigoletto / Act 3: "Venti scudi hai tu detto" | Giuseppe Verdi, Sherrill Milnes, Martti Talvela, Luciano Pavarotti, Huguette Tourangeau, London Symphony Orchestra, Richard Bonynge | D Major | 1 | 10B | 73 BPM | ||
Macbeth / Act 4: Una macchia è qui tuttora | Giuseppe Verdi, Stefania Malagu, Shirley Verrett, Carlo Zardo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D♭ Major | 0 | 3B | 82 BPM | ||
Il barbiere di Siviglia / Act 1: No. 8 Aria: "A un dottor della mia sorte" | Gioachino Rossini, Enzo Dara, London Symphony Orchestra, Claudio Abbado | E♭ Major | 3 | 5B | 139 BPM | ||
Battle of the Heroes | John Williams, London Symphony Orchestra | C Minor | 3 | 5A | 90 BPM | ||
Les Contes d'Hoffmann / Act 2: O Dieu! De quelle ivresse | Jacques Offenbach, Plácido Domingo, Orchestre de la Suisse Romande, Richard Bonynge | C Major | 2 | 8B | 77 BPM | ||
Addio del passato | Francesco Maria Piave, Giuseppe Verdi, Maria Hanke, Tonya Lemoh | B♭ Major | 1 | 6B | 160 BPM | ||
Rigoletto / Act 1: "Giovanni, ho dei rimorsi...E il sol dell'anima" | Giuseppe Verdi, Dame Joan Sutherland, Gillian Knight, Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | B♭ Major | 2 | 6B | 85 BPM |