"I Puritani / Act 1: Ah! per sempre io ti perdei" by Vincenzo Bellini, Piero Cappuccilli, Renato Cazzaniga, London Symphony Orchestra, Richard Bonynge was released on January 1, 1975. Since I Puritani / Act 1: Ah! per sempre io ti perdei is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 26 in Bellini: I Puritani by Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Piero Cappuccilli, Nicolai Ghiaurov, London Symphony Orchestra, Richard Bonynge. I Puritani / Act 1: Ah! per sempre io ti perdei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I Puritani / Act 1: Ah! per sempre io ti perdei by Vincenzo Bellini, Piero Cappuccilli, Renato Cazzaniga, London Symphony Orchestra, Richard Bonynge is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 1: "Bel conforto" | Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | F Major | 3 | 7B | 56 BPM | ||
Pioggia | Ottorino Respighi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | G Minor | 1 | 6A | 73 BPM | ||
Rigoletto / Act 2: Scena ed Aria. "Povero Rigoletto!" "La rà, la rà" | Giuseppe Verdi, Josephte Clement, Christian Du Plessis, Sherrill Milnes, John Gibbs, Riccardo Cassinelli, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | E Minor | 2 | 9A | 110 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Io so che alle sue pene (Suzuki/Sharpless/Pinkerton) | Giacomo Puccini, Anna Di Stasio, Carlo Bergonzi, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | B♭ Major | 0 | 6B | 132 BPM | ||
Suor Angelica: Ho un desiderio anch'io! | Giacomo Puccini, Della Jones, Isobel Buchanan, Dame Joan Sutherland, Miriam Bowen, Janet Price, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 114 BPM | ||
Le Prophete, Acte II: No. 6, Valse villageoise "Valsons toujours" - Live | Giacomo Meyerbeer, Sir Mark Elder, London Symphony Orchestra, John Osborn, Valerio Contaldo, James Platt, Guilhem Worms, Maxime Melnik, Hugo Santos, Lyon Opera Chorus | E Major | 1 | 12B | 67 BPM | ||
Norma / Act 2: Si, fino all'ore estreme | Vincenzo Bellini, Dame Joan Sutherland, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | E♭ Major | 2 | 5B | 115 BPM | ||
Rigoletto - Tutte Le Feste Al Tempio… Ah, Solo Per Me L'Infamia | Margherita Rinaldi, Piero Cappuccilli, Plinio Clabassi | C Major | 1 | 8B | 174 BPM | ||
Turandot / Act 2: Ho una casa nell'Honan | Giacomo Puccini, Tom Krause, Pier Francesco Poli, Piero de Palma, London Philharmonic Orchestra, Zubin Mehta | A Major | 1 | 11B | 75 BPM | ||
La Cenerentola / Act 1: "Una volta c'era un re" | Gioachino Rossini, Teresa Berganza, Margherita Guglielmi, Laura Zannini, Ugo Trama, London Symphony Orchestra, Claudio Abbado | F Major | 1 | 7B | 174 BPM |