Gioachino Rossini, Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado made "La Cenerentola / Act 2: "Sia qualunque delle figlie"" available on January 1, 1972. With this song being about 5 minutes long, at 5:05, "La Cenerentola / Act 2: "Sia qualunque delle figlie"" by Gioachino Rossini, Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 37 in the song's album "Rossini: La Cenerentola". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, La Cenerentola / Act 2: "Sia qualunque delle figlie" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With La Cenerentola / Act 2: "Sia qualunque delle figlie" by Gioachino Rossini, Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado having a テンポ of 113 with a half-time of 56 テンポ and a double-time of 226 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | ||
Il barbiere di Siviglia / Act 1: No.1 Introduzione: "Piano, pianissimo" | Gioachino Rossini, Luigi Alva, Renato Cesari, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | G Major | 0 | 9B | 102 BPM | ||
L'elisir d'amore / Act 1: "Lallarallara...Chi è mai quel matto?" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | A♭ Major | 1 | 4B | 120 BPM | ||
Tosca / Act 3: "Come è lunga l'attesta!" | Giacomo Puccini, Katia Ricciarelli, Berliner Philharmoniker, Herbert von Karajan | A Minor | 1 | 8A | 71 BPM | ||
Rigoletto / Act 1: "Ch'io gli parti...Voi congiuraste contro noi" | Giuseppe Verdi, Clifford Grant, Luciano Pavarotti, Sherrill Milnes, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | A♭ Major | 4 | 4B | 75 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
I Puritani / Act 2: Il rival salvar tu dei | Vincenzo Bellini, Nicolai Ghiaurov, Piero Cappuccilli, London Symphony Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 83 BPM | ||
Messa di Requiem, Dies irae: Lacrymosa | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | B♭ Minor | 1 | 3A | 60 BPM | ||
Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Er sterbe! | Ludwig van Beethoven, Falk Struckmann, Jonas Kaufmann, Nina Stemme, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM |