Gioachino Rossini, Enzo Dara, London Symphony Orchestra, Claudio Abbado made "Il barbiere di Siviglia / Act 1: No. 8 Aria: "A un dottor della mia sorte"" available on January 1, 1972. Il barbiere di Siviglia / Act 1: No. 8 Aria: "A un dottor della mia sorte" is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. There are a total of 21 in the song's album "Rossini: Il Barbiere Di Siviglia". In this album, this song's track order is #10. Based on our statistics, Il barbiere di Siviglia / Act 1: No. 8 Aria: "A un dottor della mia sorte"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Il barbiere di Siviglia / Act 1: No. 8 Aria: "A un dottor della mia sorte" by Gioachino Rossini, Enzo Dara, London Symphony Orchestra, Claudio Abbado having a テンポ of 139 with a half-time of 70 テンポ and a double-time of 278 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto / Act 3: "Bella figlia dell'amore" | Giuseppe Verdi, Renato Bruson, Edita Gruberova, Neil Shicoff, Brigitte Fassbaender, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | D♭ Major | 2 | 3B | 119 BPM | ||
Turandot / Act 2: "Olà, Pang! Olà, Pong!" | Giacomo Puccini, Tom Krause, Pier Francesco Poli, Piero de Palma, London Philharmonic Orchestra, Zubin Mehta | G Minor | 3 | 6A | 109 BPM | ||
La Cenerentola / Act 2: Ah, signor, s'è ver che in petto | Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, William Matteuzzi, Fernanda Costa, Gloria Banditelli, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Contro un cor che accende amore (Rosina/Conte) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | F Major | 1 | 7B | 135 BPM | ||
Bellini: Norma, Act 1 Scene 4: No. 4d, "Ah! bello a me ritorna" (Norma, Chorus) | Vincenzo Bellini, Angela Gheorghiu, Chorus of the Royal Opera House, Covent Garden, Terry Edwards, London Symphony Orchestra, Evelino Pidò | F Major | 1 | 7B | 116 BPM | ||
Otello, ossia Il moro di Venezia: Act I: Cavatina: Ah si, per voi gia sento (Otello, Jago, Choir) | Gioachino Rossini, Michael Spyres, Jessica Pratt, Ugo Guagliardo, Filippo Adami, Giorgio Trucco, Geraldine Chauvet, Sean Spyres, Hugo Colin, Leonardo Cortellazzi, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Antonino Fogliani | D Major | 7 | 10B | 100 BPM | ||
Falstaff / Act I: "Falstaff!" - "Olà!" - "Sir John Falstaff!" | Giuseppe Verdi, Enrico Facini, Bryn Terfel, Anthony Mee, Anatolij Kotscherga, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
Il Barbiere di Siviglia: Zitti, zitti, piano, piano . . . Ah, disgraziati noi! | Gioachino Rossini, Cesare Sterbini, Giuseppe Di Stefano, Giuseppe Valdengo, Lily Pons, Jerome Hines, Salvatore Baccaloni, Alberto Erede | F Major | 2 | 7B | 79 BPM | ||
Rigoletto / Act 1: Introduzione. "Della mia bella incognita borghese" | Giuseppe Verdi, Luciano Pavarotti, Riccardo Cassinelli, London Symphony Orchestra, Richard Bonynge | A♭ Major | 3 | 4B | 130 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM |