Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti's 'Carmina Burana / 2. In Taberna: "In taberna quando sumus"' came out on January 1, 1975. The duration of Carmina Burana / 2. In Taberna: "In taberna quando sumus" is about 3 minutes long, at 3:02. Based on our data, "Carmina Burana / 2. In Taberna: "In taberna quando sumus"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #14. Based on our statistics, Carmina Burana / 2. In Taberna: "In taberna quando sumus"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana / 2. In Taberna: "In taberna quando sumus" by Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti having a テンポ of 142 with a half-time of 71 テンポ and a double-time of 284 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca: Act I: Recondita armonia (Cavaradossi, Il Sagrestano) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Grieg: Peer Gynt, Op. 23, Act II: No. 7, In the Hall of the Mountain King | Edvard Grieg, Paavo Järvi, Ellerhein Girls' Choir, Estonian National Male Choir, Estonian National Symphony Orchestra | B Minor | 2 | 10A | 115 BPM | ||
Requiem: IV. Rex Tremendae | Karl Jenkins, Nicole Tibbels, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Clive Bell, Catrin Finch, Tim Thorne, Timothy Rhys-Evans, Gary Kettel | F Major | 4 | 7B | 140 BPM | ||
Carmina Burana / Uf dem Anger: Dance | Carl Orff, Royal Philharmonic Orchestra, Antal Doráti | C Major | 2 | 8B | 144 BPM | ||
18. For he's going to marry Yum-Yum | Arthur Sullivan, Peggy Ann Jones, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E Major | 2 | 12B | 93 BPM | ||
Orff: Carmina Burana, Pt. 1, Uf dem Anger: Floret silva nobilis | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 100 BPM | ||
Doves and the Boy - from 'Castle in the Sky' | Joe Hisaishi, Royal Philharmonic Orchestra | C Major | 1 | 8B | 102 BPM | ||
Wagner: Lohengrin, Act 3: "Treulich geführt ziehet dahin" (Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin | C Minor | 2 | 5A | 119 BPM | ||
Faust / Act 2: No.7 Ronde du veau d'or: "Le veau d'or" | Charles Gounod, René Pape, Staatskapelle Dresden, Sebastian Weigle, Men's Chorus of the Dresden State Opera Chorus, Ulrich Paetzholdt | F Minor | 4 | 4A | 119 BPM |