Carl Orff, Royal Philharmonic Orchestra, Antal Doráti's 'Carmina Burana / Uf dem Anger: Dance' came out on January 1, 1975. With Carmina Burana / Uf dem Anger: Dance being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Carmina Burana / Uf dem Anger: Dance's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Carmina Burana / Uf dem Anger: Dance by Carl Orff, Royal Philharmonic Orchestra, Antal Doráti having a テンポ of 144 with a half-time of 72 テンポ and a double-time of 288 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio Allegro Molto | Orquesta Filarmónica de Viena | E Minor | 2 | 9A | 115 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | ||
Giselle: Act II: Entree d'Hilarion, scene et fugue des Wilis - Grand pas de duex | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 1 | 9B | 122 BPM | ||
Dreamweaver: 2. Dreamsong | Ola Gjeilo, Grace Davidson, The Choir of Royal Holloway, Royal Philharmonic Orchestra, Duncan Riddell, Rupert Gough | D♭ Minor | 2 | 12A | 86 BPM | ||
The Sleeping Beauty, Op.66, TH.13 / Act 3: 30b. Final: Apothéose (Andante molto maestoso) | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | G Minor | 2 | 6A | 91 BPM | ||
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | ||
Marche slave, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Adrian Leaper | B♭ Minor | 4 | 3A | 111 BPM | ||
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Adrian Leaper | G Minor | 1 | 6A | 71 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 4, Il Vecchio Castello | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | A♭ Major | 0 | 4B | 133 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: No. 18, Solveig's Song | Edvard Grieg, Sir Thomas Beecham, Ilse Hollweg, Royal Philharmonic Orchestra | A Minor | 1 | 8A | 88 BPM |