Hans Christian Lumbye, Tivoli Symphony Orchestra's '(Berlin) Vauxhall Polka (1867)' came out on December 10, 1997. The duration of (Berlin) Vauxhall Polka (1867) is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. (Berlin) Vauxhall Polka (1867)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hans Christian Lumbye's "Lumbye: Complete Orchestral Works, Vol. 1" album is number 3 out of 16. In terms of popularity, (Berlin) Vauxhall Polka (1867) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of (Berlin) Vauxhall Polka (1867) by Hans Christian Lumbye, Tivoli Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sadness Waltz: Vemods vals (La resignation, Sadness Waltz) | Hans Christian Lumbye, Tivoli Symphony Orchestra, Tamas Veto | E Major | 2 | 12B | 154 BPM | ||
21 Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Swedish Chamber Orchestra, Thomas Dausgaard | G Minor | 2 | 6A | 144 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Das Waldmädchen: No. 10, Larghetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
Divertissement, Vorstellungen 1803: No. 4, Allegro | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Lachian Dances, JW VI/17: No. 6, Saw Dance | Leoš Janáček, Czech Philharmonic Orchestra, Václav Neumann | D♭ Minor | 1 | 12A | 99 BPM | ||
Symphony Fantastique Op.14: Un Bal, Valse (Allegro Non Troppo) | Alberto Lizzio, South German Philharmonic Orchestra | A Major | 1 | 11B | 177 BPM | ||
Morning, Noon and Night in Vienna | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | F Major | 2 | 7B | 80 BPM | ||
Im süßen Traum, Op. 31 (Version for Orchestra) | Julius Fučík, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 4 | 10B | 79 BPM | ||
世界名曲:春之聲 | 蔡榮吉, 李淑雲, 吳爾笠 | B♭ Major | 2 | 6B | 103 BPM |