Johannes Brahms, Swedish Chamber Orchestra, Thomas Dausgaard made "21 Hungarian Dances, WoO 1: No. 1 in G Minor" available on January 1, 2002. The duration of 21 Hungarian Dances, WoO 1: No. 1 in G Minor is about 3 minutes long, at 3:08. Based on our data, "21 Hungarian Dances, WoO 1: No. 1 in G Minor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Nyårskonsert". In this album, this song's track order is #6. Based on our statistics, 21 Hungarian Dances, WoO 1: No. 1 in G Minor's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With 21 Hungarian Dances, WoO 1: No. 1 in G Minor by Johannes Brahms, Swedish Chamber Orchestra, Thomas Dausgaard having a テンポ of 144 with a half-time of 72 テンポ and a double-time of 288 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St Anthony Variations, Op. 56a "Haydn Variations": Var. 3. Con moto | Johannes Brahms, Staatskapelle Dresden, Claudio Abbado | D Minor | 0 | 7A | 82 BPM | ||
Carnaval, Op. 9 (Orch. M. Ravel): No. 16. Valse allemande | Maurice Ravel, Robert Schumann, Orchestre National De Lyon, Leonard Slatkin | A♭ Major | 0 | 4B | 90 BPM | ||
Raymonda, Act III: Grand Pas de Deux, Pas Classique Hongrois | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | F Minor | 0 | 4A | 82 BPM | ||
ドヴォルザーク:交響曲第8番 ト長調 作品88;第1楽章 アレグロ・コン・ブリオ | ヴァーツラフ・ノイマン, Czech Philharmonic | G Major | 1 | 9B | 135 BPM | ||
Sarasate: Carmen Fantasy, Op. 25 (After Bizet): IV. Moderato | Pablo de Sarasate, Augustin Hadelich, Cristian Măcelaru, WDR Sinfonieorchester | C Minor | 1 | 5A | 72 BPM | ||
Divertissement, Vorstellungen 1803: No. 5, Marcia | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 160 BPM | ||
Il Barbiere Di Siviglia: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | G Major | 2 | 9B | 136 BPM | ||
Konzertwalzer, aus der Oper 'Faust' | Charles Gounod, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | D Major | 1 | 10B | 111 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 6, Variation de la neige - No. 7, Coda | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM |