"Sarasate: Carmen Fantasy, Op. 25 (After Bizet): IV. Moderato" by Pablo de Sarasate, Augustin Hadelich, Cristian Măcelaru, WDR Sinfonieorchester was released on August 26, 2022. The duration of Sarasate: Carmen Fantasy, Op. 25 (After Bizet): IV. Moderato is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Sarasate: Carmen Fantasy, Op. 25 (After Bizet): IV. Moderato's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Recuerdos". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Sarasate: Carmen Fantasy, Op. 25 (After Bizet): IV. Moderato is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sarasate: Carmen Fantasy, Op. 25 (After Bizet): IV. Moderato by Pablo de Sarasate, Augustin Hadelich, Cristian Măcelaru, WDR Sinfonieorchester having a テンポ of 72 with a half-time of 36 テンポ and a double-time of 144 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suk: 4 Pieces, Op. 17: No. 4, Burleska | Josef Suk, Augustin Hadelich, Charles Owen | B♭ Major | 2 | 6B | 130 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 38 "Spring": II. Larghetto | Robert Schumann, Dresdner Philharmonie, Marek Janowski | F Major | 1 | 7B | 75 BPM | ||
Suite pastorale: IV. Scherzo-Valse | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 161 BPM | ||
Piano Concerto for the Left Hand No. 2: III. Finale | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
Symphony No. 3 in C Major, Op. 52: III. Moderato - Allegro ma non tanto | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | ||
Violin Concerto in D Major, Op. 61: III. Rondo. Allegro | Ludwig van Beethoven, Liya Petrova, Sinfonia Varsovia, Jean-Jacques Kantorow | D Major | 1 | 10B | 130 BPM | ||
Beethoven: Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Nemanja Radulović, Double Sens | G Major | 0 | 9B | 83 BPM | ||
12 Fantaisies: No. 4 in D Major, TWV 40:17: Fantasie No. 4 in D Major, TWV 40:17 | Georg Philipp Telemann, Augustin Hadelich | A Minor | 1 | 8A | 75 BPM | ||
Allegretto in E Major, for Violin and Piano, AV 149 | Richard Strauss, James Ehnes, Andrew Armstrong | E Major | 1 | 12B | 84 BPM | ||
Violin Concerto in D Major: 4. Hootenanny | Wynton Marsalis, Nicola Benedetti, Philadelphia Orchestra, Cristian Măcelaru | D Major | 4 | 10B | 127 BPM |