Hans Christian Lumbye, Tivoli Symphony Orchestra, Tamas Veto made "Sadness Waltz: Vemods vals (La resignation, Sadness Waltz)" available on March 8, 2001. Since Sadness Waltz: Vemods vals (La resignation, Sadness Waltz) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Hans Christian Lumbye's "Lumbye: Complete Orchestral Works, Vol. 6" album is number 6 out of 14. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Sadness Waltz: Vemods vals (La resignation, Sadness Waltz)'s popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Sadness Waltz: Vemods vals (La resignation, Sadness Waltz) by Hans Christian Lumbye, Tivoli Symphony Orchestra, Tamas Veto to be Allegro (fast, quick, and bright) because the track has a tempo of 154 テンポ, a half-time of 77テンポ, and a double-time of 308 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 2: 4. La garde montante | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 1 | 7A | 124 BPM | ||
Mit Dampf, Op. 70: Mit Dampf, Polka schnell, Op. 70 | Eduard Strauss, Slovak State Philharmonic Orchestra, Mika Eichenholz | B♭ Major | 4 | 6B | 148 BPM | ||
Glocken-Polka und Galopp | Joseph Hellmesberger, Jr., Franz Welser-Möst, Wiener Philharmoniker | E Major | 2 | 12B | 171 BPM | ||
Capriccio espagnol, Op. 34: Alborada: Vivo e strepitoso | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Keith Clark | A Minor | 2 | 8A | 92 BPM | ||
Vienna Sweets Waltz, Op. 307 | Orchestra of the Viennese Volksoper & Alfred Scholz | F Major | 0 | 7B | 182 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Vorspiel (Orchester) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | C Minor | 3 | 5A | 74 BPM | ||
Step By Step | Byron McKay | G Major | 1 | 9B | 142 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Isabella: Ouvertüre | Franz von Suppé, Franz Welser-Möst, Wiener Philharmoniker | D Major | 3 | 10B | 102 BPM |