"Summer Music" by Arnold Bax, Bryden Thomson, Ulster Orchestra was released on January 1, 1983. Since Summer Music is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 5 in Bax: Orchestral Works, Vol. 3 by Arnold Bax, Bryden Thomson, Ulster Orchestra. Summer Music is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Summer Music by Arnold Bax, Bryden Thomson, Ulster Orchestra is Adagio (slowly with great expression), since this song has a tempo of 72 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Set of 5 Take-offs: Song Without (Good) Words | Charles Ives, Joel Sachs, Continuum | C Major | 0 | 8B | 104 BPM | ||
2 Pieces for Strings from Henry V: No. 1. Passacaglia: Death of Falstaff | William Walton, English Chamber Orchestra, Julian Lloyd Webber | E Minor | 1 | 9A | 86 BPM | ||
Four Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, Vernon Handley, Ulster Orchestra | G Major | 2 | 9B | 148 BPM | ||
Suffolk Suite: II. Orford Ness. Allegretto grazioso | Doreen Carwithen, Richard Hickox, London Symphony Orchestra | G Major | 0 | 9B | 85 BPM | ||
The Piano Concerto: III. The Hut | Michael Nyman, John Lenehan, Ulster Orchestra, Takuo Yuasa | G Major | 3 | 9B | 109 BPM | ||
L'Horloge de Flore: 3h - Galant de jour | Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | A Minor | 1 | 8A | 90 BPM | ||
Concerto Grosso for String Orchestra: II. Burlesca Ostinata | Ralph Vaughan Williams, Bryden Thomson, London Symphony Orchestra | G Major | 2 | 9B | 103 BPM | ||
Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | ||
Ma Mère l'Oye, M. 62, Troisième Tableau: Les entretiens de la Belle et de la Bête (Conversations between the Beauty and the Beast) | Maurice Ravel, Yan Pascal Tortelier, Ulster Orchestra | F Major | 2 | 7B | 113 BPM |