"Petite suite de concert, Op. 77: II. Demande et reponse" by Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman was released on January 1, 2000. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 12 in African Heritage Symphonic Series, Vol. 1 by Chicago Sinfonietta. In terms of popularity, Petite suite de concert, Op. 77: II. Demande et reponse is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Petite suite de concert, Op. 77: II. Demande et reponse by Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman is Andante (at a walking pace), since this song has a tempo of 90 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Fantasiestücke, Op. 5: No. 2, Serenade. Andante molto | Samuel Coleridge-Taylor, Takács Quartet | G Major | 1 | 9B | 83 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: VI. Pastorale | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 182 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Ma mère l'Oye, M. 60 (Version for Orchestra): II. Hop o' my Thumb (Petit poucet) | Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek | D♭ Minor | 1 | 12A | 164 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Serenade In F Major, Op. 31: 4. Notturno: Andante sostenuto | Wilhelm Stenhammar, Gothenburg Symphony Orchestra, Neeme Järvi | F Major | 0 | 7B | 78 BPM |