"Set of 5 Take-offs: Song Without (Good) Words" by Charles Ives, Joel Sachs, Continuum was released on March 1, 2005. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Charles Ives's "Ives: Three Quarter-Tone Pieces / Five Take-Offs / Hallowe'En / Sunrise" album is number 12 out of 17. In terms of popularity, Set of 5 Take-offs: Song Without (Good) Words is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Set of 5 Take-offs: Song Without (Good) Words by Charles Ives, Joel Sachs, Continuum to be Andante (at a walking pace) because the track has a tempo of 104 テンポ, a half-time of 52テンポ, and a double-time of 208 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Protecting Veil: The Nativity of the Mother of God | John Tavener, Steven Isserlis, Gennady Rozhdestvensky, London Symphony Orchestra | F♯ Minor | 0 | 11A | 101 BPM | ||
Piano Concerto in A Minor, Op.16: II. Adagio | Edvard Grieg, Javier Perianes, Sakari Oramo, BBC Symphony Orchestra | D♭ Major | 0 | 3B | 93 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
In The Mists: No. 1 Andante | Leoš Janáček, Hélène Grimaud | D♭ Minor | 0 | 12A | 135 BPM | ||
Piano Concerto No. 3, BB 127, Sz. 119: II. Adagio religioso | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
String poetic: II. Nocturne | Jennifer Higdon, Jennifer Koh, Reiko Uchida | C Major | 1 | 8B | 91 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 128 BPM | ||
String Quartet No. 13 in B-Flat Major, Op. 130: 5. Cavatina. Adagio molto espressivo | Ludwig van Beethoven, Danish String Quartet | E♭ Major | 0 | 5B | 87 BPM |