"Concerto Grosso for String Orchestra: II. Burlesca Ostinata" by Ralph Vaughan Williams, Bryden Thomson, London Symphony Orchestra was released on February 1, 1989. The duration of Concerto Grosso for String Orchestra: II. Burlesca Ostinata is about 3 minutes long, at 3:12. Based on our data, "Concerto Grosso for String Orchestra: II. Burlesca Ostinata" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vaughan Williams: Symphony No. 2 & Concerto Grosso for String Orchestra by Ralph Vaughan Williams, Bryden Thomson, London Symphony Orchestra. The song's track number on the album is #6 out of 9 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Concerto Grosso for String Orchestra: II. Burlesca Ostinata is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto Grosso for String Orchestra: II. Burlesca Ostinata by Ralph Vaughan Williams, Bryden Thomson, London Symphony Orchestra has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concerto Grosso for String Orchestra: II. Burlesca Ostinata being at 103 テンポ, the half-time would be 52 テンポ with a double-time of 206 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
Five Variants of "Dives and Lazarus" | Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth | B Minor | 1 | 10A | 85 BPM | ||
Symphony No. 3 in C Minor: II. Andante ma non troppo | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 88 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | F Major | 1 | 7B | 62 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Beau Soir, L. 6 | Claude Debussy, Yo-Yo Ma, Kathryn Stott | F♯ Minor | 0 | 11A | 178 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM |