"Suffolk Suite: II. Orford Ness. Allegretto grazioso" by Doreen Carwithen, Richard Hickox, London Symphony Orchestra was released on March 1, 1997. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 9 in Carwithen: ODTAA, Piano Concerto, Bishop Rock & Suffolk Suite by Doreen Carwithen, Richard Hickox, London Symphony Orchestra, Howard Shelley. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Suffolk Suite: II. Orford Ness. Allegretto grazioso is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suffolk Suite: II. Orford Ness. Allegretto grazioso by Doreen Carwithen, Richard Hickox, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | ||
Stille Musik: 1. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
Boys in Brown Suite: II. Escape Plan | Doreen Carwithen, Gavin Sutherland, BBC Concert Orchestra | G Minor | 0 | 6A | 73 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): Promenade I | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | E♭ Minor | 1 | 2A | 111 BPM | ||
Barocco Suite No. 5 for Chamber Orchestra, Op. 23: IV. Pastorale e Gagliarda | Kurt Atterberg, Örebro Chamber Orchestra, Thord Svedlund, Mikael Bergek | A Major | 0 | 11B | 74 BPM | ||
Hary Janos Suite: Háry János Suite: V. Intermezzo | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | D Minor | 1 | 7A | 109 BPM | ||
Koanga / Act 2: La Calinda | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 90 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 95 BPM | ||
Britten: Simple Symphony, Op. 4: III. Sentimental Saraband | Benjamin Britten, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 3 | 9B | 82 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM |