Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン's 'Pictures at an Exhibition (Orch. M. Ravel): Promenade I' came out on April 1, 2016. With Pictures at an Exhibition (Orch. M. Ravel): Promenade I being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Ravel: Orchestral Works, Vol. 3 – Orchestrations". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Pictures at an Exhibition (Orch. M. Ravel): Promenade I is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pictures at an Exhibition (Orch. M. Ravel): Promenade I by Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Slovak Suite, Op. 32: III. The Lovers. Andante quasi allegretto | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | E♭ Major | 0 | 5B | 76 BPM | ||
Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto | Dmitri Shostakovich, Emmanuelle Bertrand, BBC National Orchestra Of Wales, Pascal Rophe | E♭ Major | 0 | 5B | 91 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: III. Quarrel | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
Mathis Der Maler: Vorspiel: Concert of Angels | Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | G Major | 1 | 9B | 103 BPM | ||
Pines Of Rome, P. 141: The Pines Of The Janiculum | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | C Major | 1 | 8B | 78 BPM | ||
Grieg: 4 Symphonic Dances, Op. 64: I. Allegro moderato e marcato | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 1 | 9B | 129 BPM | ||
Symphonie Fantastique, Op. 14: II. Un bal | Hector Berlioz, London Symphony Orchestra, Valery Gergiev | A Major | 0 | 11B | 166 BPM | ||
Serenade for Strings in C, Op.48: 1. Pezzo in forma di sonatina: Andante non troppo - Allegro moderato | Pyotr Ilyich Tchaikovsky, Bavarian Radio Symphony Orchestra, Sir Colin Davis | C Major | 2 | 8B | 109 BPM | ||
La gazza ladra: Overture | Gioachino Rossini, Michele Mariotti, Orchestra del Teatro Comunale di Bologna | E Major | 2 | 12B | 171 BPM |