"Pines Of Rome, P. 141: The Pines Of The Janiculum" by Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa was released on January 1, 1979. Since Pines Of Rome, P. 141: The Pines Of The Janiculum is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Respighi: Pini di Roma; Feste romane; Fontane di Roma". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Pines Of Rome, P. 141: The Pines Of The Janiculum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pines Of Rome, P. 141: The Pines Of The Janiculum by Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in F major, Op. 90: III. Poco allegretto | Seattle Symphony Orchestra | C Minor | 0 | 5A | 92 BPM | ||
Petite suite: I. En bateau (arr. H. Busser for orchestra): I. En bateau | Claude Debussy, Henri Büsser, Orchestre National De Lyon, Jun Markl | G Major | 0 | 9B | 93 BPM | ||
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
Lucrezia, P. 180: Second Moment - 2 | Ottorino Respighi, Jan Durco, Richard Haan, Rado Hanak, Stefania Kaluza, Adriana Kohútková, Ludovit Ludha, Igor Pasek, Michela Remor, Denisa Šlepkovská, Slovak Radio Symphony Orchestra, Adriano | C Minor | 2 | 5A | 85 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
13 Pieces, Op. 76: No. 4 Humoresque | Jean Sibelius, Håvard Gimse | D♭ Minor | 1 | 12A | 131 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
6 Pezzi, P. 44: No. 2. Canone | Ottorino Respighi, Konstantin Scherbakov | B♭ Major | 1 | 6B | 83 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM |