"6 Pezzi, P. 44: No. 2. Canone" by Ottorino Respighi, Konstantin Scherbakov was released on December 12, 1997. The duration of 6 Pezzi, P. 44: No. 2. Canone is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. 6 Pezzi, P. 44: No. 2. Canone's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Respighi: Piano Music". In this album, this song's track order is #10. 6 Pezzi, P. 44: No. 2. Canone is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Pezzi, P. 44: No. 2. Canone by Ottorino Respighi, Konstantin Scherbakov having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Études, Op. 10: No. 6 in E-Flat Minor | Frédéric Chopin, Jan Lisiecki | B Major | 0 | 1B | 72 BPM | ||
24 Preludes and Fugues, Op. 87: Fugue No. 13 in F-Sharp Major: Adagio | Dmitri Shostakovich, Konstantin Scherbakov | B♭ Major | 2 | 6B | 74 BPM | ||
Prélude, Choral et Fugue, FWV 21: Prélude. Moderato | César Franck, Nikolai Lugansky | G Major | 0 | 9B | 68 BPM | ||
3 Romances, Op. 11: I. Andante | Clara Schumann, Yoshiko Iwai | E♭ Minor | 0 | 2A | 106 BPM | ||
V. May. White Nights | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | F Major | 1 | 7B | 144 BPM | ||
Marie Victoire, P. 100: Act II Tableau I: Scene 8: Je suis lasse! (Marie, Cloriviere, Langlade, La Novice, Du Folgoet, La Marquise, Simon, Chorus) | Ottorino Respighi, Takesha Meshe Kizart, Markus Brück, German Villar, Simon Pauly, Stephen Bronk, Jorn Schumann, Martina Welschenbach, Gregory Warren, Nicole Piccolomini, Yosep Kang, Tomislav Lucic, Thomas Blondelle, Anna Schoeck, Christophe Fel, Krzysztof Szumanski, Nathan De'Shon Myers, Andrew Ashwin, Hyung-Wook Lee, Berlin Deutsche Opera Chorus, Berlin Deutsche Opera Orchestra, Michail Jurowski | E♭ Minor | 2 | 2A | 74 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Debussy: En blanc et noir, pour piano à quatre mains, CD 142, L. 134: I. Avec emportement (Live) | Claude Debussy, Martha Argerich, Stephen Kovacevich | D Minor | 0 | 7A | 107 BPM | ||
Gaspard de la nuit, M. 55: III. Scarbo | Maurice Ravel, Martha Argerich | A♭ Minor | 1 | 1A | 65 BPM | ||
II. February. Shrovetide Festival | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | D Major | 2 | 10B | 54 BPM |