Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain's 'Hary Janos Suite: Háry János Suite: V. Intermezzo' came out on October 1, 1990. With this song being about 5 minutes long, at 5:01, "Hary Janos Suite: Háry János Suite: V. Intermezzo" by Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain's "Kodaly: Hary Janos Suite" album is number 6 out of 25. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Hary Janos Suite: Háry János Suite: V. Intermezzo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hary Janos Suite: Háry János Suite: V. Intermezzo by Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No.1 in G minor - Orchestrated by Brahms: Allegro molto | Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim | G Minor | 2 | 6A | 65 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Lyric Pieces, Op. 54 - Orch. by Edvard Grieg: I. Shepherd Boy: Andantino espressivo | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | F Major | 0 | 7B | 80 BPM | ||
A Downland Suite (Arr. for String Orchestra): II. Elegy. Lento espressivo | John Ireland, Richard Hickox, City of London Sinfonia | E♭ Major | 0 | 5B | 79 BPM | ||
Variations on a Hungarian Folksong "The Peacock": Moderato | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra | C Minor | 0 | 5A | 130 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | G Major | 3 | 9B | 87 BPM | ||
Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Gayane Suite No. 3: I. The Hunt - Andante | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D Major | 2 | 10B | 92 BPM | ||
Dvořák: Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | G Major | 1 | 9B | 106 BPM |