"Dvořák: Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo" by Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra was released on 1971. Dvořák: Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo appears to be safe for all ages as it is not explicit. The song is number 2 out of 4 in Dvorák: Cello Concerto by Jacqueline du Pré. In terms of popularity, Dvořák: Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dvořák: Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo by Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 106 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM | ||
Violin Concerto No. 1 In D, Op. 19: 1. Andantino | Sergei Prokofiev, Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado | D♭ Minor | 0 | 12A | 85 BPM | ||
String Quintet in E-Flat Major, Op. 97 'The American': III. Larghetto | Antonín Dvořák, Krzysztof Chorzelski | A♭ Major | 1 | 4B | 82 BPM | ||
Pelléas et Mélisande, Op.80: 1. Prélude | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 134 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 22: III. Allegro confuoco | Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 154 BPM | ||
Tre Sonetti di Petrarca, S. 270: Sonetto No. 47: "Benedetto sia 'l giorno" Preludio con moto - Sempre mosso, con intimo sentimento | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 74 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM |