Tre Sonetti di Petrarca, S. 270: Sonetto No. 47: "Benedetto sia 'l giorno" Preludio con moto - Sempre mosso, con intimo sentimento - Franz Liszt, Daniel Barenboim 情報

音響性: 100%
ダンサビリティ: 33%
エネルギー: 1%
手段性: 93%
活気: 9%
ラウドネス: 54%
話し言葉: 5%
価数: 4%
人気: 19%
ラウドネス: -27.66 dB

まとめ

"Tre Sonetti di Petrarca, S. 270: Sonetto No. 47: "Benedetto sia 'l giorno" Preludio con moto - Sempre mosso, con intimo sentimento" by Franz Liszt, Daniel Barenboim was released on January 1, 1992. Tre Sonetti di Petrarca, S. 270: Sonetto No. 47: "Benedetto sia 'l giorno" Preludio con moto - Sempre mosso, con intimo sentimento is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The track order of this song in Franz Liszt, Daniel Barenboim's "Liszt: Dreams of Love; Consolations; Sonnets of Petrarca; Rigoletto Paraphrase" album is number 10 out of 13. Tre Sonetti di Petrarca, S. 270: Sonetto No. 47: "Benedetto sia 'l giorno" Preludio con moto - Sempre mosso, con intimo sentimento is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Tre Sonetti di Petrarca, S. 270: Sonetto No. 47: "Benedetto sia 'l giorno" Preludio con moto - Sempre mosso, con intimo sentimento テンポ

We consider the tempo marking of Tre Sonetti di Petrarca, S. 270: Sonetto No. 47: "Benedetto sia 'l giorno" Preludio con moto - Sempre mosso, con intimo sentimento by Franz Liszt, Daniel Barenboim to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Tre Sonetti di Petrarca, S. 270: Sonetto No. 47: "Benedetto sia 'l giorno" Preludio con moto - Sempre mosso, con intimo sentimento キー

D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

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Track	Artist	Key	Energy	Camelot	BPM
8 Études, Op. 42: No. 5 in C-Sharp Minor	Alexander Scriabin, Evgeny Kissin	D♭ Minor	2	12A	132 BPM
Dvorák: Violin Concerto in A Minor, Op. 53, B. 108: I. Allegro, ma non troppo	Antonín Dvořák, Itzhak Perlman, Daniel Barenboim, London Philharmonic Orchestra	A Minor	2	8A	103 BPM
6 Impromptus, Op. 5: Impromptu V	Jean Sibelius, Leif Ove Andsnes	B Minor	0	10A	72 BPM
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38	Carl Maria von Weber, Ensemble 3 Mouvements	G Major	0	9B	119 BPM
Adagio in F, H.XVII No.9	Franz Joseph Haydn, Alfred Brendel	F Major	0	7B	71 BPM
Images: No. 2. Iberia: Par les rues et par les chemins -	Claude Debussy, Orchestre National De Lyon, Jun Markl	F Minor	1	4A	176 BPM
Variations on a Rococo Theme, Op. 33 for cello and orchestra: Moderato assai quasi Andante - Thema: Moderato semplice	Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, Jiří Bělohlávek, BBC Symphony Orchestra	F♯ Minor	0	11A	109 BPM
24 Preludes, Op. 11: No. 7 in A Major	Alexander Scriabin, Evgeny Zarafiants	A Major	1	11B	68 BPM
4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major	Franz Schubert, Khatia Buniatishvili	F♯ Major	0	2B	69 BPM
Cello Sonata No. 1 in C Minor, Op. 32: II. Andante tranquillo sostenuto	Camille Saint-Saëns, Maria Kliegel, François-Joël Thiollier	A♭ Minor	1	1A	173 BPM

ISRC: This song does not have an ISRC.
レコードレーベル: L-M Records/RCA Records