Alexander Scriabin, Evgeny Zarafiants made "24 Preludes, Op. 11: No. 7 in A Major" available on February 9, 2000. With 24 Preludes, Op. 11: No. 7 in A Major being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 49 in the song's album "Scriabin: Preludes, Vol. 1". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Hong Kong. 24 Preludes, Op. 11: No. 7 in A Major is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With 24 Preludes, Op. 11: No. 7 in A Major by Alexander Scriabin, Evgeny Zarafiants having a テンポ of 68 with a half-time of 34 テンポ and a double-time of 136 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnaval, Op. 9: No. 18. Aveu | Robert Schumann, Boris Giltburg | G Minor | 1 | 6A | 147 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Evgeny Soifertis | C Minor | 0 | 5A | 103 BPM | ||
4 Sketches, Op. 4, JB 1:66: No. 4 in G-Sharp Minor, Relentless Struggle. Moderato | Bedřich Smetana, Jitka Čechová | D♭ Minor | 1 | 12A | 70 BPM | ||
Praeludium and Allegro in the style of Pugnani in E Minor - Arr. for Piano, World Premiere Recording | Fritz Kreisler, Cyprien Katsaris | A♭ Major | 6 | 4B | 180 BPM | ||
Piano Sonata No. 1 in E-Flat Major, Op. 1, No. 1, H. 8A: I. Allegro moderato | John Field, Benjamin Frith | B♭ Major | 0 | 6B | 135 BPM | ||
No. 8, Am Kamin | Robert Schumann, Vladimir Horowitz | F Major | 1 | 7B | 206 BPM | ||
Don Juan: Gavotte (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | E♭ Major | 0 | 5B | 77 BPM | ||
Piano Sonata No.4 in F sharp major, Op.30: 2. Prestissimo volando | Alexander Scriabin, Vladimir Ashkenazy | B Major | 2 | 1B | 66 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Levitzki: The Enchanted Nymph | Mischa Levitzki, Stephen Hough | B Major | 0 | 1B | 84 BPM |