"Carnaval, Op. 9: No. 18. Aveu" by Robert Schumann, Boris Giltburg had its release date on February 3, 2015. With This song being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 51 in the song's album "Schumann: Carnaval, Davidsbündlertänze & Papillons". In this album, this song's track order is #48. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Carnaval, Op. 9: No. 18. Aveu's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carnaval, Op. 9: No. 18. Aveu by Robert Schumann, Boris Giltburg having a テンポ of 147 with a half-time of 74 テンポ and a double-time of 294 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
V. Improvisation | Gabriel Fauré, Lucas Debargue | C Major | 2 | 8B | 83 BPM | ||
Thema mit Variationen (Geistervariationen): Tema. Leise, innig | Robert Schumann, András Schiff | F Major | 0 | 7B | 63 BPM | ||
Nocturne No. 11 In E Flat Major, H. 56a: Nocturne No. 11 In E Flat Major | Benjamin Frith, John Field | E♭ Major | 0 | 5B | 74 BPM | ||
Spanische Liebeslieder, Op. 138: 1. Vorspiel | Robert Schumann, Emanuel Geibel, Christian Gerhaher, Gerold Huber, Julia Kleiter | G Minor | 1 | 6A | 105 BPM | ||
Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 1, Der Himmel hat eine Thräne geweint (Einfach) | Clara Schumann, Friedrich Rückert, Robert Schumann, Erik Werba | A♭ Major | 1 | 4B | 81 BPM | ||
Symphony No. 1 in B Flat Major, Op. 38 "Spring": III. Scherzo. Molto vivace | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | A♭ Major | 0 | 4B | 88 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Danse bohemienne | Claude Debussy, François-Joël Thiollier | B Minor | 1 | 10A | 66 BPM | ||
8 Fantasiestücke, Op. 12: 3. Warum? | Robert Schumann, Alfred Brendel | D♭ Major | 0 | 3B | 71 BPM | ||
6 Moments musicaux, Op. 16: No. 1, Andantino | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM |