On August 1, 2005, the song "Overture (Suite) No. 2 In B minor, BWV 1067 : VII. Badinerie" was released by Bach Collegium Japan, Liliko Maeda, Johann Sebastian Bach. With Overture (Suite) No. 2 In B minor, BWV 1067 : VII. Badinerie being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Bach Collegium Japan's "Johann Sebastian Bach: 4 Orchestral Suites, BWV 1066-1069" album is number 19 out of 24. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Overture (Suite) No. 2 In B minor, BWV 1067 : VII. Badinerie's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Overture (Suite) No. 2 In B minor, BWV 1067 : VII. Badinerie by Bach Collegium Japan, Liliko Maeda, Johann Sebastian Bach to be Allegro (fast, quick, and bright) because the track has a tempo of 124 テンポ, a half-time of 62テンポ, and a double-time of 248 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a 5 in D Minor, Op. 9, No. 2 for Oboe, Strings and Continuo: 2. Adagio | Tomaso Albinoni, Heinz Holliger, I Musici, Maria Teresa Garatti | B♭ Major | 1 | 6B | 75 BPM | ||
Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 1 | 6A | 101 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | ||
Concerto for Cello, Strings and Clavichord in G Major: Concerto for Cello, Strings and Clavichord in G Major: III. Allegro non tanto | Georg Matthias Monn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | D Major | 2 | 10B | 121 BPM | ||
Devienne: Flute Concerto No. 7 in E Minor: I. Allegro | Francois Devienne, Emmanuel Pahud, Kammerorchester Basel, Giovanni Antonini | E Minor | 1 | 9A | 133 BPM | ||
Cello Concerto in A major, Wq. 172: Cello Concerto in A major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Alison McGillivray, The English Concert | C Minor | 1 | 5A | 140 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": II. Andante | Janos Sebestyen, Johann Sebastian Bach | D Minor | 1 | 7A | 131 BPM |