Carl Philipp Emanuel Bach, Alison McGillivray, The English Concert made "Cello Concerto in A major, Wq. 172: Cello Concerto in A major, Wq. 172: III. Allegro assai" available on November 14, 2006. Cello Concerto in A major, Wq. 172: Cello Concerto in A major, Wq. 172: III. Allegro assai is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The song is number 9 out of 15 in C.P.E.Bach: Symphonies 1-4, Cello Concerto in A by Carl Philipp Emanuel Bach, The English Concert, Andrew Manze. Based on our statistics, Cello Concerto in A major, Wq. 172: Cello Concerto in A major, Wq. 172: III. Allegro assai's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Cello Concerto in A major, Wq. 172: Cello Concerto in A major, Wq. 172: III. Allegro assai by Carl Philipp Emanuel Bach, Alison McGillivray, The English Concert is Allegro (fast, quick, and bright), since this song has a tempo of 140 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 135 BPM | ||
Dardanus: Tambourins I-II | Jean-Philippe Rameau, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Major | 2 | 3B | 123 BPM | ||
Bagatelles, Op. 47, B. 79: No. 5. Poco allegro | Antonín Dvořák, Scharoun Ensemble | G Major | 2 | 9B | 134 BPM | ||
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 3. La Furstemberg - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 85 BPM | ||
Brandenburg Concerto No. 3 in G Major, BWV. 1048: III. Allegro | Johann Sebastian Bach, The English Concert, Trevor Pinnock | F♯ Major | 6 | 2B | 124 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Praeludium in F Major, BuxWV 145 | Dietrich Buxtehude, Simone Stella | F Major | 2 | 7B | 73 BPM | ||
Overture-Suite in D Major, TWV 55:D1: IV. Air 3: Presto | Georg Philipp Telemann, The English Concert, Trevor Pinnock | D♭ Major | 3 | 3B | 118 BPM | ||
Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 2: No. 7. Chor, "Triumph! Triumph! Der Sohn des Höchsten sieget!" (Chorus) | Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Vlaams Radiokoor | D Major | 2 | 10B | 167 BPM |