George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward's 'Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave' came out on October 9, 1996. The duration of Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel's "Handel: Oboe Concertos Nos. 1- 3 / Suite in G Minor" album is number 1 out of 26. In terms of popularity, Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave by George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward to be Andante (at a walking pace) because the track has a tempo of 101 テンポ, a half-time of 50テンポ, and a double-time of 202 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in E minor for oboe, strings and basso continuo: I. Andante | Georg Philipp Telemann, Han De Vries, Alma Musica Amsterdam, Bob van Asperen, Wouter Möller | E♭ Minor | 1 | 2A | 105 BPM | ||
Trios de la chambre du Roi, LWV 35 (Ed. R. Gwilt): No. 47, Chaconne in C Major | Jean-Baptiste Lully, London Baroque | B Major | 3 | 1B | 105 BPM | ||
Dardanus: Menuets I-II | Jean-Philippe Rameau, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Major | 1 | 3B | 81 BPM | ||
Adagio & Fugue | Wilhelm Friedemann Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 114 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Air a l'Italien | Cologne Chamber Orchestra | A Minor | 1 | 8A | 76 BPM | ||
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
Trio Sonata in G Major, BWV 1038: I. Largo | Johann Sebastian Bach, Jean-Pierre Rampal, Isaac Stern, John Steele Ritter, Leslie Parnas | G Major | 2 | 9B | 83 BPM |