"Concerto a 5 in D Minor, Op. 9, No. 2 for Oboe, Strings and Continuo: 2. Adagio" by Tomaso Albinoni, Heinz Holliger, I Musici, Maria Teresa Garatti was released on January 1, 1991. With this song being about 5 minutes long, at 5:25, "Concerto a 5 in D Minor, Op. 9, No. 2 for Oboe, Strings and Continuo: 2. Adagio" by Tomaso Albinoni, Heinz Holliger, I Musici, Maria Teresa Garatti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 18 in Albinoni: 6 Oboe Concertos by Tomaso Albinoni, Heinz Holliger, Maurice Bourgue, Maria Teresa Garatti, I Musici. Concerto a 5 in D Minor, Op. 9, No. 2 for Oboe, Strings and Continuo: 2. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto a 5 in D Minor, Op. 9, No. 2 for Oboe, Strings and Continuo: 2. Adagio by Tomaso Albinoni, Heinz Holliger, I Musici, Maria Teresa Garatti is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Adagio for Strings and Organ in G minor | Remo Giazotto, Maria Teresa Garatti, I Musici | C Minor | 1 | 5A | 111 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro | Joseph Haydn, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta | B♭ Major | 0 | 6B | 183 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne (Arr. for Cello and Harp) | Camille Saint-Saëns, Jacqueline du Pré, Osian Ellis | G Major | 0 | 9B | 60 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2: III. Vivace | Arcangelo Corelli, Lina Tur Bonet, Musica Alchemica | A♭ Major | 3 | 4B | 83 BPM | ||
Oboe Concerto No. 3 in G minor, HWV 287: 2. Allegro | George Frideric Handel, Heinz Holliger, English Chamber Orchestra, Raymond Leppard | B♭ Major | 2 | 6B | 108 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM |