On 1982, the song "Il Barbiere di Siviglia: Overture - Highlights" was released by Gioachino Rossini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano. Since Il Barbiere di Siviglia: Overture - Highlights is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 42 in the song's album "Rossini: Il barbiere di Siviglia - The Sony Opera House". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Il Barbiere di Siviglia: Overture - Highlights is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Il Barbiere di Siviglia: Overture - Highlights by Gioachino Rossini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano having a テンポ of 88 with a half-time of 44 テンポ and a double-time of 176 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polonaise militaire, Op. 40, No 1 | Frédéric Chopin, New York Philharmonic, Andre Kostelanetz | A Major | 4 | 11B | 95 BPM | ||
Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): IV. Danse des garçons | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
Puccini: La bohème, Act 2: "Quando me'n vo soletta" (Musetta/Marcellop/Alcindoro/Mimì/Rodolfo/Schaunard/Colline) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Carlo Forti, Carlo Badioli, Franco Ricciardi, Antonino Votto, Eraldo Coda, Anna Moffo, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 132 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical symphony": IV. Finale - Molto vivace | Sergei Prokofiev, Philippe Jordan, Orchestre de l'Opéra National de Paris | D Major | 1 | 10B | 80 BPM | ||
Sinfonia in C Major: I. Allegro | I Solisti di Zagreb, Anton Nanut | C Major | 3 | 8B | 118 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Andrea Chénier / Act 4: Vicino a te | Umberto Giordano, Montserrat Caballé, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F Major | 3 | 7B | 89 BPM | ||
Le roi s'amuse: Gaillarde | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 96 BPM | ||
Puccini: La bohème, Act 1: "Ehi! Rodolfo! … O soave fanciulla, o dolce viso" (Schaunard, Colline, Marcello, Rodolfo, Mimi) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan | A Major | 1 | 11B | 88 BPM |