"Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): IV. Danse des garçons" by Alexander Borodin, Anima Eterna, Jos Van Immerseel was released on 2004. The duration of Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): IV. Danse des garçons is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): IV. Danse des garçons's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Rimski-Korsakov: Shéhérazade & La grande Pâque Russe - Borodine: Les Danses polovtsiennes & Dans les steppes de l'Asie Centrale". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Belgium. In terms of popularity, Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): IV. Danse des garçons is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): IV. Danse des garçons by Alexander Borodin, Anima Eterna, Jos Van Immerseel having a テンポ of 104 with a half-time of 52 テンポ and a double-time of 208 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scherzo In C Minor For Violin & Piano (From The FAE-Sonata) | Johannes Brahms, Leonidas Kavakos, Yuja Wang | C Major | 2 | 8B | 59 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17b, Allegro vivo | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 79 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne - Andante | Alexander Borodin, Streichquartett Luzern, Gunars Larsen, Curdin Coray, Roger Pyne, Howard Griffiths | A Major | 1 | 11B | 162 BPM | ||
Ma mère l'oye, cinq pièces enfantines (Suite pour orchestre), M. 60: III. Laideronnette, Impératrice des pagodes (Mouvement de marche) | Maurice Ravel, Anima Eterna, Jos Van Immerseel | F♯ Major | 0 | 2B | 109 BPM | ||
Concert champêtre, FP 49: II. Andante | Francis Poulenc, Anima Eterna, Jos Van Immerseel, Kateřina Chroboková | E♭ Major | 0 | 5B | 114 BPM | ||
Prince Igor (Knyaz Igor): Act III: Polovtsian March | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A♭ Major | 3 | 4B | 128 BPM | ||
Spartacus, Act II: Parting of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Serenade for Strings in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Orpheus Chamber Orchestra | F Minor | 0 | 4A | 124 BPM | ||
Kuolema (Death), Additional Scenes: No. 2. Valse romantique, Op. 62b | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | E Major | 0 | 12B | 91 BPM | ||
Henry VIII: Danse de la gypsy | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | D Minor | 1 | 7A | 82 BPM |