"Andrea Chénier / Act 4: Vicino a te" by Umberto Giordano, Montserrat Caballé, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly was released on January 1, 1984. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Umberto Giordano, Luciano Pavarotti, Montserrat Caballé, Leo Nucci, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly's "Giordano: Andrea Chénier" album is number 14 out of 30. Andrea Chénier / Act 4: Vicino a te is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Andrea Chénier / Act 4: Vicino a te by Umberto Giordano, Montserrat Caballé, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bellini: Norma, Act 1: "Casta diva" (Norma, Chorus) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 2 | 7B | 88 BPM | ||
L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM | ||
Girometta | Gabriele Sibella, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna | F♯ Major | 3 | 2B | 108 BPM | ||
Norma / Act 1: Svanir le voci! | Vincenzo Bellini, Luciano Pavarotti, Kim Begley, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Minor | 1 | 3A | 129 BPM | ||
Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Nicola Rescigno | F Major | 2 | 7B | 83 BPM | ||
Tagliaferri: Passione | Luciano Pavarotti, Giancarlo Chiaramello, Orchestra del Teatro Comunale di Bologna | A Minor | 3 | 8A | 126 BPM | ||
Senza Mamma | Giacomo Puccini, Montserrat Caballé, Gianfranco Masini | A Minor | 1 | 8A | 83 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Va, crudele, al Dio spietato" | Vincenzo Bellini, John Osborn, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | A♭ Major | 3 | 4B | 134 BPM | ||
Il Trovatore / Act 3: "Di quella pira" | Giuseppe Verdi, Luciano Pavarotti, Wiener Opernorchester, Nicola Rescigno | C Major | 4 | 8B | 82 BPM | ||
Lucrezia Borgia / Act 1: Ciel! ... Che vegg'io | Gaetano Donizetti, Dame Joan Sutherland, Giacomo Aragall, National Philharmonic Orchestra, Richard Bonynge | F Major | 4 | 7B | 140 BPM |