Sergei Prokofiev, Philippe Jordan, Orchestre de l'Opéra National de Paris made "Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical symphony": IV. Finale - Molto vivace" available on April 7, 2017. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Philippe Jordan's "Mussorgsky: Pictures at an Exhibition - Prokofiev: Symphony No. 1, "Classical"" album is number 19 out of 19. Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical symphony": IV. Finale - Molto vivace is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical symphony": IV. Finale - Molto vivace by Sergei Prokofiev, Philippe Jordan, Orchestre de l'Opéra National de Paris to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Marchenbilder (Fairy Tales), Op. 113: I. Nicht schnell | Robert Schumann, Antoine Tamestit, Eric Le Sage | E♭ Major | 1 | 5B | 111 BPM | ||
Polonaise in B-Flat Major for Violin and Orchestra, D. 580 | Franz Schubert, David Zinman | B♭ Major | 1 | 6B | 98 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Dong-Suk Kang, Slovak Radio Symphony Orchestra, Adrian Leaper | A Minor | 3 | 8A | 136 BPM | ||
Symphony No. 2 in C Minor, Op. 29: V. Maestoso | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | C Major | 2 | 8B | 93 BPM | ||
Polovtsian Dances From Prince Igor: Dance Of The Polovtsian Maidens | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Piano Concerto No.2 in G Major, Op. 44: I. L'istesso tempo | Vladimir Ashkenazy, Sydney Symphony Orchestra, Garrick Ohlsson | D Major | 1 | 10B | 62 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Piano concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Vadym Kholodenko, The Norwegian Radio Orchestra, Miguel Harth-Bedoya | G Minor | 0 | 6A | 80 BPM |