"Chanson de Matin, Op.15, No.2" by Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult was released on May 11, 1997. The duration of Chanson de Matin, Op.15, No.2 is about 3 minutes long, at 3:17. Based on our data, "Chanson de Matin, Op.15, No.2" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 7 in Butterworth: The Banks of Green Willow by London Philharmonic Orchestra, Sir Adrian Boult. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Chanson de Matin, Op.15, No.2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chanson de Matin, Op.15, No.2 by Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult is Lento (slowly), since this song has a tempo of 57 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Violin Concerto in D Major, Op. 61: III. Rondo. Allegro | Ludwig van Beethoven, Itzhak Perlman, Carlo Maria Giulini, Philharmonia Orchestra | A Minor | 2 | 8A | 113 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice (Allegretto non troppo) | Hector Berlioz, Royal Concertgebouw Orchestra, Sir Colin Davis | D♭ Major | 2 | 3B | 77 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Charlie Siem, Paul Goodwin | E Major | 1 | 12B | 95 BPM | ||
Carissima | Edward Elgar, New Zealand Symphony Orchestra, James Judd | E Minor | 2 | 9A | 87 BPM | ||
Violin Romance No. 1 In G Major, Op. 40 | Ludwig van Beethoven, Pinchas Zukerman, London Philharmonic Orchestra, Daniel Barenboim | G Major | 0 | 9B | 126 BPM | ||
Spanish Capriccio in A Major, Op. 34: I. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Concerto for Trumpet and Orchestra in E-Flat Major: III. Allegro vivace | Joseph Haydn, Crispian Steele-Perkins, English Chamber Orchestra | G Major | 0 | 9B | 110 BPM | ||
Borodin: Prince Igor, Act II: Polovtsian Dances (Excerpt) | Alexander Borodin, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham | A Major | 1 | 11B | 79 BPM | ||
Scheherazade - Symphonic Suite Op. 35: IV. The Festival of Baghdad - The Sea - The ship goes to pieces on a rock surmounted by a bronze warrior | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Stephen Bryant, Takuo Yuasa | A Minor | 1 | 8A | 90 BPM | ||
Karelia Suite, Op. 11: III. Alla marcia: Moderato | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | A Major | 2 | 11B | 78 BPM |