"Scheherazade - Symphonic Suite Op. 35: IV. The Festival of Baghdad - The Sea - The ship goes to pieces on a rock surmounted by a bronze warrior" by Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Stephen Bryant, Takuo Yuasa was released on 2005. Scheherazade - Symphonic Suite Op. 35: IV. The Festival of Baghdad - The Sea - The ship goes to pieces on a rock surmounted by a bronze warrior appears to be safe for all ages as it is not explicit. There are a total of 15 in the song's album "Rimsky-Korsakov: Scheherazade . Borodin: Polovtsian Dances". In this album, this song's track order is #4. In terms of popularity, Scheherazade - Symphonic Suite Op. 35: IV. The Festival of Baghdad - The Sea - The ship goes to pieces on a rock surmounted by a bronze warrior is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scheherazade - Symphonic Suite Op. 35: IV. The Festival of Baghdad - The Sea - The ship goes to pieces on a rock surmounted by a bronze warrior by Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Stephen Bryant, Takuo Yuasa having a テンポ of 90 with a half-time of 45 テンポ and a double-time of 180 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
From Holberg's Time, Op. 40: III. Gavotte: Allegretto - Musette: Un poco mosso - Gavotte | Edvard Grieg, Moscow Soloists, Yuri Bashmet | E♭ Major | 2 | 5B | 74 BPM | ||
Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Hilary Hahn, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 1 | 8B | 59 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | A Major | 4 | 11B | 126 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Orchestre Symphonique de Montréal, Charles Dutoit | A Minor | 0 | 8A | 125 BPM | ||
Vocalise, Op. 34 | London Philharmonic Orchestra, Pieter Schoeman | E Minor | 2 | 9A | 92 BPM | ||
Appalachian Spring: I. Very Slowly | Aaron Copland, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 78 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": Adagio; Allegro molto | Antonín Dvořák, Fritz Reiner | E Minor | 1 | 9A | 124 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 91 BPM | ||
Serenade In B-Flat For 13 Winds, K. 361/370A 'Gran Partita': lll. Andante | Anton Nanut, Slovenian Symphony Orchestra | E♭ Major | 1 | 5B | 138 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: The Love Scene | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | F♯ Major | 1 | 2B | 76 BPM |