"Karelia Suite, Op. 11: III. Alla marcia: Moderato" by Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen was released on April 5, 2011. With this song being about 5 minutes long, at 4:55, "Karelia Suite, Op. 11: III. Alla marcia: Moderato" by Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "Sibelius: Symphony No. 2 - Karelia Suite". In this album, this song's track order is #7. Karelia Suite, Op. 11: III. Alla marcia: Moderato is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Karelia Suite, Op. 11: III. Alla marcia: Moderato by Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Masques et bergamasques Suite, Op. 112: III. Gavotte | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | D Minor | 0 | 7A | 70 BPM | ||
Mandolin Concerto in G Major, S. 28: I. Allegro moderato | Johann Nepomuk Hummel, Howard Shelley, London Mozart Players, Alison Stephens | G Major | 1 | 9B | 119 BPM | ||
Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 143 BPM | ||
Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 0 | 10B | 127 BPM | ||
2 Sentimental Romances, Op. 28: No. 1 - Andantino in A Major | Wilhelm Stenhammar, Tobias Ringborg, Swedish Chamber Orchestra, Niklas Willen | A Major | 1 | 11B | 87 BPM | ||
Soirees musicales, Op. 9: IV. Bolero | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | A♭ Minor | 0 | 1A | 201 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 91 BPM | ||
American Rhapsody | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | D♭ Major | 0 | 3B | 98 BPM | ||
Florida Suite: Sunset - Near the Plantation | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | D Major | 0 | 10B | 77 BPM |