"Violin Romance No. 1 In G Major, Op. 40" by Ludwig van Beethoven, Pinchas Zukerman, London Philharmonic Orchestra, Daniel Barenboim was released on January 1, 1991. Since Violin Romance No. 1 In G Major, Op. 40 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 5 in Beethoven: Violin Concerto, Op. 61; Violin Romances, Op. 40 & Op.50 by Ludwig van Beethoven, Pinchas Zukerman, Chicago Symphony Orchestra, London Philharmonic Orchestra, Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Violin Romance No. 1 In G Major, Op. 40's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Romance No. 1 In G Major, Op. 40 by Ludwig van Beethoven, Pinchas Zukerman, London Philharmonic Orchestra, Daniel Barenboim is Allegro (fast, quick, and bright), since this song has a tempo of 126 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": II. Adagio molto | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | D Major | 0 | 10B | 97 BPM | ||
Eroica Dance (Arr. for Piano from Symphony No. 3 in E-Flat Major, Op. 55 by Martin Stadtfeld ) | Ludwig van Beethoven, Martin Stadtfeld | E♭ Major | 2 | 5B | 143 BPM | ||
Romance No. 1 In G Major, Op. 40 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | G Major | 0 | 9B | 88 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | ||
Canon | Johann Pachelbel, David Parry, London Philharmonic Orchestra | D Major | 3 | 10B | 137 BPM | ||
Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | A Minor | 1 | 8A | 82 BPM |