"Act IV: Angelo casto e bel" by Gaetano Donizetti, Matteo Salvi, Enrico Caruso, Walter B. Rogers was released on 1990. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Act IV: Angelo casto e bel is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Act IV: Angelo casto e bel by Gaetano Donizetti, Matteo Salvi, Enrico Caruso, Walter B. Rogers is Adagio (slowly with great expression), since this song has a tempo of 71 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vaga luna che inargenti | Vincenzo Bellini, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | B Major | 2 | 1B | 86 BPM | ||
La Sonnambula / Act 1: Viva! Viva Amina! | Vincenzo Bellini, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | F♯ Minor | 1 | 11A | 116 BPM | ||
Serse / Act 1 HWV40: "Ombra mai fu" | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 90 BPM | ||
Linda di Chamounix, A. 62, Act II Scene 7: Nel silenzio della sera | Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Lucia di Lammermoor (1997 Digital Remaster), ATTO PRIMO, Scena seconda: Ancor non giunse! (Lucia/Alisa) | Gaetano Donizetti, Salvatore Cammarano, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 89 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Saint- Saëns: Samson et Dalila, Act 2: "Mon coeur s'ouvre à ta voix" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | D♭ Major | 1 | 3B | 77 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
La Wally, Act I: Ebben?... Ne andrò lontana (Wally) | Alfredo Catalani, Orchestra di Roma della RAI, Arturo Basile, Renata Tebaldi | E Minor | 1 | 9A | 81 BPM |